Alice and Bret's dog Harvie is dying, and he's ruining everything. What had been a bright little family is quickly getting consumed by clouds of self-doubt, suspicion and a disturbing amount of ground beef.

At the dawn of her thirties, Mona tries relentlessly to take off as an actress. Time passes and proposals do not arrive. Short of resources, she is forced to move to Sam, her younger sister.

The Second Voyage of the Mimi is a twelve-episode American educational television program depicting a fictional crew of a sailboat named the Mimi exploring Mayan ruins in Southern Mexico. Along the way, they learn a lot about ancient civilization and also attempt to foil the plans of looters who steal the artifacts from the ancient sites. This series is a sequel to The Voyage of the Mimi, produced in 1984, in which the Granvilles rented their boat and services to zoologists studying the humpback whale in the waters off Massachusetts.

Mike Veeck, son of MLB franchise owner Bill Veeck, blows up his father's career. Exiled from the game he loves, the younger Veeck spends the next few decades clawing his way up from rock bottom, determined to redeem himself.

Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core.

Ji Sun Woo is an associate director of a family clinic with a perfect life—a great career, married to a handsome, young-looking man, mother to an adoring son, and surrounded by seemingly caring friends. She couldn't be more content. Lee Tae Oh, her husband, is an aspiring movie director. However, when his temptation leads him to betray Sun Woo along with the people around her, she gets driven to revenge. The perilous twists-and-turns of a married couple's life unfolds.

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THE EDGE OF THE WORLD gives a unique insight into the work of Tim Winton, one of Australia’s finest authors. By 1998, when this film was made, Winton had already won the Miles Franklin Award twice (for Shallows, 1984 and Cloudstreet, 1992) and been shortlisted for the Booker Prize for The Riders (1995). In THE EDGE OF THE WORLD, shot partly on the magnificent coast and hinterland of Australia’s north-west, Winton talks frankly about his work, his influences and what drives him.

When Kanako, a model daughter and a brilliant student, disappears, her mother asks her ex-husband, a violent former policeman, to find her. As his investigation progresses, his idealized image of Kanako cracks: the girl hides a dark life that her father can not even imagine.

A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.